ambient mattering
ambience exists beyond any notion of conceptuality. conceptuality of any kind, however subtle, implies an aggressive grasping and fixation. (timothy morton, why ambient poetics? outline for a depthless ecology – p52–p56, the wordsworth circle, 33.1, winter, 2002)
the infinite touch of nothingness is threaded through all being/becoming, a tangible indeterminacy that goes to the heart of matter. matter is not only iteratively reconstituted through its various intra-actions, it is also infinitely and infinitesimally shot through with alterity (karen barad, on touching—the inhuman that therefore i am – p8, v 1.1, 2012)
• slow unfoldings
• sense >< feel >< imagine
• recognition of ‘the open’
• the uncolonised mind
• ambient mattering
• ambient perception
• ambient reception
coral stereograph
coral stereograph (circa.1860 amateur naturalist's original, artists collection)
Diagenesis (sound work)
artist: russell burden and craig tattersall
release: laaps records (france) april 2023, digital cd and vinyl
more info; tributaries – invites and commissions
listen: on bandcamp
tracks
1. fallings
2. settlings
3. turnings
4. fadings
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diagenesis vinyl (laaps records, brittany, april 2023)
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flints (st.margaret's bay 2022)
diagenesis cover art (russell burden & craig tattersall 2023)
laguna beach fractal (assemblage - diatomaceous earth & watercolour on card, laguna beach, california, 226mm x 118mm, 2023)
encrustation #1 (St Margarets Bay, Kent, 2020)
mineral passage #1 (glass plate, red and white chalk, ink, gum arabic. hunstanton, norfolk. 500mm x 332mm, 2021)
carbonate taphonomies
hunstanton fractal (white chalk blocks, iron ink. hunstanton, norfolk. 600mm x140mm, 2021)