interiorities

‘as poietic event, artwork keeps the ‘open’ open, thereby ensuring that meaning is not blocked in the nihilistic sameness of technological enframing but available for poietical becoming in re-attunement with nature’ (warwick mules – heidegger, nature philosophy and art as poietic event – transformations, journal of media & culture, issue 21, rethinking the seasons: new approaches to nature – 2012)

interiorities #3 orchard reef (lumen/photo montage - apple tree lichens, walled garden, penryn campus, cornwall, march 2024)

archiving the anthropocene (part two)

interiorities #6 encrustation (monochrome apple tree branch, calcined soil, moss, lichen ink overlays, walled garden, penryn campus, cornwall, 2024)

division: banana bud

interiorities #5 division (walled garden, penryn campus, cornwall, march 2024)

ember clusters: lichen carbon

interiorities #8 ember clusters (lichen and flame, walled garden, penryn campus, cornwall)

interiorities #7 bifurcation (lichen branches, walled garden, penryn campus, cornwall)

interiorities #14 quiescence two (flower inks, apple cider, calcined soil, lichen carbon, penryn campus, cornwall, 2024)

archiving the anthropocene (part one)

material culture workshop & silent voices, confronting the hostile archive

1. material engagement workshop, creativity with clay
the artist forms clay whilst clay informs the artist
date
: june 2023
location
: exeter campus, devon
with: freyja cox jensen (early modern history), russell burden (artist)

2. silent voices: confronting the hostile archive – june 2023
roundtable
: panel discussion
location: exeter campus, devon
chaired by: freyja cox jensen (early modern history)

mapping the world otherwise